This game is ‘Tell Me a Secret, Tell Me a Lie.’ It’s just what it sounds like. I give a prompt, and you, the character, gets to determine if you want to hint a secret or lie: one or the other.
Tell me a secret about the last lie you told your partner or Tell me a lie you told your partner to keep that secret.
*Asher explodes with laughter* Asher: Tell her where Felicity thinks you are today man. Jason: F%^$ off Cameron: You lied to her? Jason: I didn’t… it’s not… I may have extended the truth but only because I knew she’d want to come
Tell me a secret you can’t tell your bestie or Tell me a lie you just told your parents.
Would you rather hear your parents do the deed or put up with Khloe hitting on the guys again?
Jason: What the actual f*#%? Why would you ask that? Asher: *retches* You’re triggering some serious shit here, I hope you know that. Cameron: No way, you heard them go at it? Asher: Dude, not cool! Jason: Seriously, can we move on? I just can’t…
Would you rather wake up and find you had three-inch-long eyelashes or go to bed without lips?
Asher: Oh my god, where are you getting these questions? *explodes with laughter*
Ali: My questions today are about the cover artwork of the Aldebarian Alliance series. The Lasaran and Segonian covers are very dynamic, how do you feel they express the stories you were telling?
Dianne Duvall: I admit my book cover preferences have been strongly influenced by the years I worked in the independent film industry. I was accustomed to seeing movie posters that reflected a film’s storyline and—at the same time—piqued moviegoers’ interest. So I wanted the covers of the Aldebarian Alliance books to reflect what readers will find in the new series. And I believe they do a stellar job (forgive the pun).
Quite a bit of The Lasaran takes place on Earth. Taelon (the hero) is alone and suffers greatly before Lisa finds him, risks much to free him, and shows him the first kindness he’s known in years. So I wanted to cover to reflect his solitude, which it does well. 🙂 When he and Lisa later venture into space, their trip is a very active and harrowing one, as reflected by the battle erupting in the background.
The Segonian, on the other hand, takes place entirely in space. The hero is the fierce commander of the battleship Ranasura. And the heroine is a powerful immortal warrior from Earth. So both totally kick ass. 🙂 They also forge a friendship before they even meet in person while Dagon and his crew race to reach Eliana before her oxygen runs out . . . a friendship that continues to grow once they meet, soon deepening into love. I think their stance on the cover—both their closeness and their ferocity—reflects this well. The book is also full of action, as evinced by the background.
I have read that you have received a good deal of negative feedback because you named a female main character after yourself. I think it’s brilliant, and haters gonna hate. What was your thinking there? Why did you want to name her after you? And how much of Janie, the character, is you? Ooh, those are loaded questions. This is going to be a lengthy response! To properly explain, I have to give a lot of background. I originally drafted this story on Wattpad a few years ago. I had no idea it would become so successful—it had over 24 million reads before I pulled the incomplete draft. So I was not prepared for the attacks that came from the instant Team Kylie readers. They didn’t care about the fact that Jane, Janie’s G&M form, was named after me because I was trying to heal myself. When I decided to write G&M, I was grieving my best friend’s death, my marriage was falling apart, and I was suffering from severe depression, anxiety, PTSD from sexual abuse and other traumatic stuff, and learning to cope with a Bipolar Disorder diagnosis. All they cared about was “this is Kylie’s story… get over yourself.” They didn’t care about anything I was actually doing—only that they wanted Kylie and Logan, and it was wrong of me to shove myself down their throats. Or to give myself the hottest guy. Lol.
Anyway, it was my late friend, Tifani, who told me on the day we found out she wasn’t going to survive that I needed to share my story. After writing the first chapter as a sort of memoir/horror story, I chickened out. Then I saw Jane in my mind. She was me, but also not. I gave her part of my soul, my name(Janie is a diminutive of Jane), and I gave her every bit of sorrow, fear, pain, but also happiness, my hopes, and my heart. I still almost changed her name, but it felt wrong to ask another to suffer what she would. Together, we pulled each other through the journeys we were on. She gave me strength and I made her fight harder to show me I could survive. When it came time to writing WAotBBW, she was meant to be there for reasons readers will find out. And on her first appearance in the book, I wrote Janie instead of Jane. I hit backspace, but she appeared in my mind, shaking her head at me. Her boys did the same, and I realized she was telling me to be braver, be greater. To truly not hide anymore and embrace myself. After all, the story I was telling with WAotBBW is my way of speaking to my daughter and the continued path of healing I was undertaking for myself. So even with the insults, the threats, and plagiarism I held strong. I couldn’t turn my back on my girl. So Janie is my acceptance that I’m a very flawed girl. I’m one that can be hated and admired. I can be broken and healed. I can be brave and I am always loved. Never forgotten.
For people who aren’t familiar with your book, what genre is Who’s Afraid of the Big Bad Wolf? Lol it’s all over the place. I mainly consider it A Coming of Age Fairy Tale Adaptation. But it has just about everything besides SciFi.
WAoTBBW is a spin-off from your previous series, Gods & Monsters. Could you explain where the characters of Kylie Hood and Logan Grimm come from and who they are? Ooh, you have to keep reading to find out. The big reveal comes in book 3 of the Big Bad Wolf Trilogy. It’s a huge twist when you read all of my books.
I have not read Gods & Monsters yet, but could you tell me what cross-over characters appear in WAoTBBW, and why should we know them? Gosh, there are too many to name. I’ll say every “soul” WAotBBW comes from G&M. Readers love finding out as they read. Some know right away who is who and others are stumped, but I do clarify in WAotBBW.
If you could, please take a minute to introduce yourself to readers. I’m Janie Marie. I live near Austin, Texas, with my husband and our three children—plus four adopted fur babies. I’m the only girl of six children. My parents each had two sons before marrying and having me then my little brother was a surprise. I remind him all the time I was supposed to be the last. Lol. I’m totally winging this author thing, but I’m happy to constantly grow as I share my life and art.
And it will in no way affect the way I think about you as a person, but what are your thoughts on coffee? Keep in mind coffee drinkers are the best people in the world. Haha, I don’t like it. I love the smell and have had friends give me various types, and I just don’t like it. My morning drink is always Dr Pepper.
The full moon has long had an aura and mystery that has made it an integral part of humanity’s myths and legends. Such is the case of Sisters of the Moon, where the lunar cycles and their power have sway over the women who live in the convent of St. Gertrude.
The moon is tied to the ever-changing cycle of women’s’ bodies. This may be why witches believed that magic is supposedly at its most powerful during the full moon, and since many women were associated with witchcraft and healing, the moon became their symbol.
The beginnings of giving the moon a female essence go back to the ancients when Luna in Latin and Selene in Greek, both female names and deities in the Roman and Greek pantheons, were attributed to the moon. The Incas in South America have a myth where a brother and sister, the moon maiden, and the sun man are the ancestors of their people. Native Americans share similar folklore where the woman’s role is portrayed as dark and influenced by the moon’s cycles. The sun is considered masculine because of its life-giving power and endurance Sol in Latin and Sunne in Old English and is deemed masculine by astronomers. Many mythologies have male solar deities–the Greek god Apollo, the Roman god Sol, the Mesopotamian god Utu, and the Egyptian god Ra. It would seem women remained in the shadows of the sun even among the gods.
There’s a slightly creepy and definitely weird piece of art on my wall. The print caught my eye at a local festival a few years back, and I bought it because it intrigued me.
My kids hated it when I hung it on the wall, but my tastes haven’t gotten less eclectic since. (Sorry, not sorry, nerdlings.)
I obsessed over the details. I wondered why the angel woman was headless and whose much larger hand was on her stomach? Was he human? Another angel? Why was he touching her at all? Was the owner of that hand a good guy? Why would she be a statue? And why would she be a headless statue after that?I don’t know the real story. But my brain wouldn’t let go of the image and decided to start making up its own story that began with an angel statue. And Where Angels Can’t Follow was born
During recent visits, I have often found the city of Berkeley to be a garden on a hill, lush in its vegetation and breathtaking in its panoramas. In the stunning hill neighborhoods, redwoods soar from a neighbor’s yard as the eye feasts on tangled beach roses. Meanwhile, west beyond the flatlands and the bay, the blinding evening sun drops through the Golden Gate. A glass of wine in such a place is unlike a glass of wine anywhere else. The senses revel and rebel, and so do we.
When I wrote Playground Zero, a coming-of-age novel set in Berkeley during the counterculture movement of the 1960s, I wanted to convey something of the city’s splendor, along with the anarchy of those years. I wanted a backdrop that would contrast with the story of Alice Rayson, a girl growing up under fraying social norms, as large numbers of people sought to jettison the past. The lush landscape would serve to counterbalance unsettling aspects of Alice’s story, offsetting them—not only for the reader, but also for myself during the long process of producing a novel. More ambiguously, I hoped to shine the city’s light on some of the forgotten corners of those countercultural years. After all, contrast creates meaning.