Ali: You are ‘label-less’ in the fact that you write in several genres. Readers never know what to expect next. If someone asks, how do you label yourself?
Colleen: When I self-published my first novel I had no idea what genre to put it in. I thought I had written a drama but it turns to that I had written a romance. I’ve learned a lot since then, but I still don’t put a lot of weight in genre when I write. When your best friend is begging you to read a book, it’s not going to matter what genre it is when someone you trust is passionate about the story.
Room to Breathe is a story of two southern women at very different stages in their lives who are experiencing the same sense of “starting over.” Daphne Witt is weeks from turning forty, in a career that she never expected, and ready to start dating after a divorce. Her daughter Ellery is essentially untested in the world. Young, beautiful, accustomed to everything going her way, Ellery finds herself with a less than dazzling job, a distracted fiancé and, for the first time ever, doubts about who she is and where she’s going. When the novel begins, we find Daphne dealing with an awakened libido she thought long dead, and Ellery struggling to accept working for her mother and living with a fiancé who has little time for her. Both women redirect their dissatisfaction toward secret desires – Daphne for a much younger contractor, and Ellery for a secret email pal who thinks she’s her mother. Like the vines of a vineyard, things get tangled quickly by decisions that not only threaten the fragile mother-daughter relationship, but each woman’s future.
One thing I really like about Daphne is her self-awareness. She’s been content to stand in the wings while everyone else in her life commandeered the spotlight, but now she’s ready to take her turn on the stage. She’s bumbled into a dream she never knew existed as a children’s author, and she’s really good at what she does and becomes an overnight success. But her family, even her ex-husband, can’t seem to let go of the woman she once was. They want the old Daphne, the one who put everyone else before herself. I intentionally gave Daphne a secret crush on a younger man and had her pay attention to her sexuality. Women of a certain age are often set aside, as if their “ sexiness” has a shelf life. I wanted Daphne awakened to the fact that as a woman entering her forties, she still needed intimacy and affection. I wanted her to struggle with the guilt, be tempted, and have a little fun with someone…young enough to date her daughter.
I think the first Penelope Ward book I read was Stepbrother Dearest—-No, it was Jake Undone. I loved both of these novels and most of the other Ward books I have read since. I won’t lie, though; I always feel emotionally exhausted on the last page because this woman writes trauma earnestly. She’s excellent at delicately, but honestly, depicting the mental health and mental illness challenges her characters must face. But I don’t find it emotionally comfortable to get though. I love the stories—-but I’m wrung out and exhausted by loving characters like Sevin, Jake, and Channing, which is why I love when she and Vi Keeland write together. I can take Penelope’s punches while Vi holds my hand. Yeah.
“I blinked a few times. No one had ever asked me such a direct question about my mental health. “Um. I have a fear of crowds and confined places.” She set the kettle down on the stove and lit the burner. “That’s okay. I don’t like clowns.”
Title: Room To Breathe Author: Liz Talley Genre: Contemporary Romance Release Date: November 1, 2019
Summary:
For a good part of Daphne Witt’s life, she was a supportive wife and dutiful mother. Now that she’s divorced and her daughter, Ellery, is all grown up, Daphne’s celebrating the best part of her life, a successful career, and a flirtation with an attentive hunk fifteen years her junior . . . who happens to be her daughter’s ex-boyfriend.
Ellery is starting over, too. She’s fresh out of college. Her job prospects are dim. And to support her fiancé in med school, she’s returned home as her mother’s new assistant. Ellery never expected her own life plan to take such a detour. With no outlet for her frustration, she lets an online flirtation go a little too far, especially considering her pen pal thinks he’s corresponding with her mother.
As love lives tangle, secrets spill, and indiscretions are betrayed, mother and daughter will have a lot to learn—not only about the mistakes they’ve made but also about the men in their lives and the women they are each hoping to become.
Griffin Quinn was my childhood pen pal, the British boy who couldn’t have been more different from me. Over the years, through hundreds of letters, we became best friends, sharing our deepest, darkest secrets and forming a connection I never thought could break.
Until one day it did.
Then, out of the blue, a new letter arrived. A scathing one—one with eight years of pent-up anger. I had no choice but to finally come clean as to why I stopped writing.
Griffin forgave me, and somehow we were able to rekindle our childhood connection. Only now we were adults, and that connection had grown to a spark. Our letters quickly went from fun to flirty to downright dirty, revealing our wildest fantasies. So it only made sense that we would take our relationship to the next level and see each other in person.
Only Griff didn’t want to meet. He asked that I trust him and said it was for the best. But I wanted more—more Griff, in the flesh—so I took a big chance and went looking for him. People have done crazier things for love.
